Luna Sea ~Never Sold Out~ band score / tab (guitar, bass, drums, even violin!)

The reason I got these (for $75 a dozen years ago?) was to see how they played the songs live rather than on record with overdubs.

Also, live tab books have no album filler :)

~ only $5 on ebay ^_^ ~

dir en grey FM april 2005

dir en grey gauze 62045 dvd

This certainly isn’t one of Dir en grey’s best performances, but I want to call attention to Shinya here. Why? Because he’s a mess. Granted this was recorded back in December — probably after their hiatus that was a result of Kyo’s throat issues — so maybe they were rusty. But Shinya has been rusty for a while. It’s telling in the song’s opening drum fill, where he doesn’t even bother throwing in the double bass hits, so it ends up sounding like an amateur is sitting behind the kit. I find it curious.

We all know Shinya is a fantastic drummer, but I seriously have to wonder if the heavier style Dir en grey has adopted just isn’t his forte. He doesn’t have the power to drive the sludge forward. In live settings, he’ll go from cracking the hell out of the snare to sounding like he’s applying a feather touch to the toms, all within one drum fill. And his feet sometimes sound like they’re stumbling over each other.

Look, it’s obvious he’s using triggers in the studio. Bring them with you to the stage too, dude. There’s no shame in it. Don’t turn into another Lars Ulrich.

Happy DEG Friday!

Because the blog needs it (just kidding—well the mood in the shoutbox has been…) (^_^);

Much better new photos of Dir en grey. That yellow b/w one from “The Unraveling” promo was pretty bad, like someone just wanted to use a PS filter for the sake of using it or just random messing with the Exposure settings to make it EXTRA EDGY.

(via dklly)

dir en grey | the unraveling (2013)

Covers and artist pic for “The Unraveling”.

The cover features original artwork by artist and sculptor Yasuyuki Nishio. This intriguing artwork is the result of the fusion between DIR EN GREY’s expressions to this day with Yasuyuki Nishio’s perspective of the world, bringing forth yet another release that exhibits an overwhelming sense of existence.

The covers give me a Gazette-y feel for some reason.  :\

Saturday, January 11, 2003
My Last Deg Live
Part Two

Now playing:
(the one with the pentagram on it)

The lights go out and the place explodes, that techno-beat intro they’ve been using starts pulsing, everyone shouts on cue and the two giant screens flanking the stage start flashing images from Deg’s Zepp/Citta shows — Kaoru in his red-and-white harlequin leather, Kyo caked in crusty white flakes, Die headbanging in his shiny blue suit, Kyo again, Toshiya, Die again, Kaoru again, Shinya, Toshiya, Kaoru… — “the whole last year has been leading up to tonight!” they seem to be saying. And the crowd believes.

Then Shinya’s name flickers and dances on the screen, and out waltzes Shinya, and everyone cheers. And Die, and Toshiya, and Kaoru, and finally Kyo — and the cheers quadruple in ferocity. Everyone idolizes Kyo! I wonder what the other guys think, I wonder what i would think in their position… “Well, he’s definitely the crowd favorite, so i guess I’m a little jealous, but fuck it, we split the profits equally, and i’ve got enough girls cosplaying me to keep my spirits up anyhoo…”


Kyo: “Dir en grey desu.”

The band beat their instruments noisily. Dun dun dun dun dun dun!!!! The crowd screams.

Shinya hits his hi-hat: 1, 2, 3, 4…

Mr Newsman!

(Or was Mr. Newsman the second song? Damn my rusty innards! Somebody find me a trustworthy online setlist before i embarrass myself!)

They play pretty much the whole Six Ugly E.P, and follow that with the bulk of Kisou. No Gauze at all, no Macabre til later, no indies anything unless the new Byo Shin counts. That’s the first hour or so.

Then it’s the new single, Drain Away, (due out 11/22) and here’s where my memory gets fidgety… but i’m gonna go with my gut and say they stopped here and left the stage. We’ll see what the DVD says when it comes out in a few months.

When they re-emerge, the first lilting piano phrases of Ain’t Afraid to Die drift up — and it’s beautiful… but i find myself hoping they’re gonna pull a “Osaka-jo I’ll" and stop abruptly and Kyo’ll yell Baka! and they’re crash through Zan. But when we hit the chorus of Ain’t and the snow starts falling from the ceiling — it’s gorgeous — i realize that that ain’t gonna happen, so i relax and enjoy the ride. And at the middle break, no one interrupts the silence (eerily!), and Kaoru’s crunchy little guitar flicks sound out before he slides into the solo, and yeah, Ain’t Afraid to Die is a pretty cool song.

Then they storm through Jessica (which, i realized, is far and away my favorite Deg song — it’s happy and it’s heavy, everyone loves to crowdsurf for it… it embodies all that’s cool about a Deg live.)

Then Filth… then an intermission, and when they finally return, KR Cube and Rasetsu Koku and… bang, done.

So that’s the basic skeleton. Here’s the juicy details:

Oops, outta time, see ya tomorrow!