SOL ARDOUR
The Waxing Moon


June 2012, I went up to Westfall Studios, with my band Sol Ardour.  We spent 3 days in pre production, getting really comfortable with the songs we were going to record and the tones.  
The guys at Westfall were great.  They told us “we can’t promise perfection, but we’ll give you our all”.  We stayed there for a week, slept on the couch, on the drums, on the floor next to amps, practicing and recording sun up sun down.

We planned to release this single, promote the heck out of it, with touring, music video and ads - but then ran into a money disaster shocking us all and we had to scramble up a new plan.  This meant also pushing back the album, as there was no substantial fanbase to release to, and no money.

Last month, with money saved from shows, merch sales, and ingenuity, we filmed our first music video.  The video is for our 3rd single, The Waxing Moon.

Our drummers Sion wrote the music for this song.  His inspiration is “boss battle music” meets “goth rock”.  He’s a big Uematsu fan.  Shola, Sol Ardour’s singer wrote the lyrics.  It’s about a number of things, but generally it’s about a period of change.

I hope you enjoy the video.  I broke into an abandoned building in the middle of nowhere.  At night.  Using a knife.  Even in the pitch black, when I showed the place to the guys, we agreed it was the perfect place for the feel of the song.

-Artemis


P.S.  Check out the Youtube Hangout event for the video premiere.  We had a blast. 

haku | everything but the love (2013)

Time for your regular dose of HaKU radness. They’ve made a habit of visually appealing videos, blending graphics and performance. This time around, they went all out graphic with the help of graphic designers TYMOTE, a.k.a the “Pirates of Design.”

“everything but the love” is off their mini-album wonderland, dropping June 5th. It’s also being used as the theme song for TBS Boxing. I’m not even kidding (watch the main vid). Ain’t no love in pummeling another human being for entertainment, I guess. This just doesn’t come across as an aggressive enough song for a boxing theme.

Whoa-oh-oh-oh-oh-oh-oh-oh!

kiryu | aienkien pv(preview)

Never bothered to even listen to these guys, and this preview tells me to keep it that way. However, is Gauze public domain now? Because holy hell this is “Zan”, isn’t it?

:)

amber gris | bright or blind (2013)

Amber gris is one of the very few active bands that I still care about and listen to once in while. They have great musicianship, catchy songs and quality production on their releases. I haven’t heard a vk debut album (“Pomander”) quite like theirs in a long time. “Pomander” was instantly addictive and full of rich melodies that I just love sinking into. They are also classy enough to not version-spam their releases (for now), which even major bands do now days. (-.-);

Btw, they just released their second album “Around Children” last week. Hopefully, Amber Gris can continue to impress from now on.

amber gris - Around Children
2013.02.27

Amber Gris - Around Children - cdjapan.co.jp

1. Fragile
2. MARCH in the SNOW
3. bright or blind
4. -sequel-
5. そこにあるもの
6. Sweet blood pool
7. hermit.
8. グランギニョル
9. amaryllis
10. for crying out loud

OHP www.amber-gris.com
YT http://www.youtube.com/user/ambergrisofficial

So Kyo was like “ooh I wanna do it like that Like @ Angel pv” and so he did. :)

special bonus video for Kuroyume fans, or anyone who like boobies: https://mega.co.nz/#!DIUS3RzY!RVWWQz598-7Cwdtm0QCK_Gv4J2cE6uACs_egH_B-iV4

 

lynch. | ballad pv (2013)

If ever I was wealthy and could use my wealth to ensure the survival of any one band, lynch. would be it. There, I said it.

I have yet to be disappointed by them even once, and ever since adding AkN they’ve been even better. Not to mention, I’m a goddamn sucker for piano in my rock songs. Kills me dead.

matenrou opera | kassai to gekijou no gloria PV (2013)

With less than a month to go till the release of their second album, Matenrou Opera released the PV for the single of the same name. Having not given much attention to them in quite a while, I’m impressed with the balance they’ve found. Earlier songs were laden with so much synth, I found it difficult to listen and take seriously. It’s much more tastefully incorporated into this latest offering, and I appreciate swapping in favor of piano mode instead of oozing synthiness throughout. Have I just overlooked the piano in their songs previously?

Kassai to gekijou no gloria will drop on March 6th via King Records.

bis | bisimulation (special edit) music video (2013)

“WHO KILLED IDOL?”

Or just BiS (“Brand-new Idol Society”, not, you know, “bis” as in “believe in style”) continuing with their “anti-idol” shtick. [interview and supplement]

I was meaning to post this earlier before the AKB thing happened and subsequently blew up all over the Internet. But has the impact/interpretation of seeing the BiS members soaked in (fake) blood and/or their supposed mission to off all idols (“XXXX8 first!”) changed after the Minegishi incident?

No, not really. If anything, a view like that would just fall in line with BiS’ (and their management’s) packaged, albeit very self-aware, “un-idoly” idols narrative.

crossfaith | jägerbomb pv

I’ll never forget the day I had my first Jägerbomb. No other drink fills me with such euphoria. 

Crossfaith love that stuff so much, they wrote a song about it, and it packs quite a punch. It has rekindled my interest. Having fallen in love with The Artificial Theory for the Dramatic Beauty back in 2009, the years following brought forth monotony, broken only by their impeccable reconstruction of The Prodigy’s “Omen.”

Their Zion EP was released in Japan last June and dropped in the states in late November on The End Records.

kyary pamyu pamyu | furisodeshon PV

Kyary’s turning 20 at the end of the month, so naturally she released a song about her “level up” as the PV implies. The Japanese consider 20 the beginning of adulthood, so all remaining major age restrictions, like drinking, are finally lifted.

The title is a play on the Japanese furisode, or formal coming of age kimono, and the English verb-to-noun conjugation for the suffix -tion. Furisodation is the completion of her transformation into a recognized adult. 

Love the song. Love the PV.

:)

Nightmare - Hitsugi - ASSaulter pv - 1920x1080 wallpaper [imgur]

THOSE HOLES

Evan: ಠ_ಠ Nightmare preview for ASSaulter [link]

Most bold Jrock PVs of all time!

We can always do without the plethora of the usual Tokyo city landscape shots and creative pvs that are filmed from the confines of the Japanese music studio, but can we do without the surprisingly and yet awesome Jrock PVs that were shot in a location that had to bring about some inner toughness and boldness from the jrock band or artist themselves displaying their most bold attempt yet?

Here are some of my notable favorites!

Siam Shade - 1/3 no jun jouna kanjou

Seeing Siam Shade in their most boy-bandish late 1990’s ensemble yet while in a dry hot desert and surrounded by a few wickedly cool helicopters is a surreal experience indeed! Though Siam Shade was no stranger to shooting in deserts later in their career, this was one of their earliest PVs that had it along with Passion, the difference however is that 1/3 no jun jouna kanjou has all the action that was missing from the latter.

http://www.youtube.com/watch?v=7WmdDSi6fwc

B’z - Liar! Liar!

Very few jrock bands and solo artists would video shoot in the west in the 90’s, let alone the south! But lo and behold B’z who was already familiar with video shooting in the U.S. before in places like Los Angeles and New York City, decided to shoot this PV full of southern comfort in the Big Easy, New Orleans. Very surreal seeing Koshi in the deserted New Orleans streets!

http://www.youtube.com/watch?v=TNCTTwltOkk

Schwein - You’re My Disease

This short-lived Buck-Tick offshoot shot this sexy (well, Sakurai at least) yet gritty video not in the posh and tourist laden streets of Manhattan but in that exotic land to the east called Brooklyn! Possibly one of the few jrock videos shot at a Brooklyn loft; this PV shows that the members of Buck-Tick are true pioneers of their craft.

http://www.youtube.com/watch?v=Amgz7pUkazM

Glay - Winter, Again (latest version)

While old-school Glay opted to shoot the original version of this memorable jrock song within the confines of a studio, mature age has made these guys tougher as they shot this latest version in the frozen tundra! This band has always been known for their poppish rock and mainstream rock ballads but they really showed their tough endurance and determination in this PV! You can tell Teru hated his job at the time, what with the constipated look, but they remained loyal to the concept and did it!

http://www.youtube.com/watch?v=IzqLX_KVK0Q

Cocco - The Strong and Ephemeral

For a girl known to have many phobias especially early in her career, Cocco sure did brought out all her inner strength to get through the video shoot of this PV! Though the location itself was very serene and calm, she practically looked like she was about to have a nervous breakdown several times! Good for her for confronting her fears boldly so! 

http://www.youtube.com/watch?v=Vjyx8Zr2wCI

Shiina Ringo - GIPS

Shiina has always been the fiercest of all the Jrock ladies but she was probably her most fierce in this strangely doomsday-esque video where she boldly shows her raw passion and even a bit of crazy while jamming down her signature guitar. Though this is the only one of my choices to be shot indoors within a studio, hey it’s the mindset that counts!

http://www.youtube.com/watch?v=VZDpXPeBhl8

What is your list of most bold attempt or display of dauntlessness in a jrock PV of all time?

Luna Sea’s In My Dream with Shiver PV:

What would this band do without stock video of clouds?